Showing posts with label best silent movies. Show all posts
Showing posts with label best silent movies. Show all posts

Tuesday, February 25, 1986

50 years ago: Modern Times, Chaplin's masterpiece farewell to the silent era, released

Modern Times


Released: February 25, 1936


Studio: United Artists


Genre: comedy, drama, family


Box Office (numbers in millions):

Domestic: 0.16 Worldwide: ?


Adjusted for Inflation:

Domestic: 5.80 Worldwide: ?

Directing: Charles Chaplin


Screenwriting: Charles Chaplin


Starring: Charles Chaplin, Paulette Goddard, Henry Bergman



Review:

In this “consistently hilarious, and unforgettable” LM “Chaplin masterpiece” VD he says farewell to his “beloved character The Tramp.” MSN “This social protest film was also Chaplin’s final great effort in the silent era, as the talkies overtook silent films. The film was made between 1932 and 1936, with Chaplin writing, directing, producing and scoring it.” MSN

It is “a ‘mostly silent,’ funny and poignant comedy/satire in which Charlie Chaplin bids farewell to silent comedy.” FS Modern Times “perfectly captures Chaplin: naive, but ever so heartfelt.” TV It is a comic nightmare of mass production, runaway capitalism, the police state – all of which helped get the film (and its star) labeled Red.” TV

Chaplin is a factory worker “in the Depression era of poverty and unrest” FS slaving “on a dehumanizing automated assembly line” FS overseen by his “‘Big-Brother’ tyrannical boss who spies on employees with a giant TV monitor and demands greater speed and efficiency.” FS Chaplin “quickly has a nervous breakdown [and] goes insane.” FS

“After several trips to the hospital and jail, ultimately finds happiness with a kindred soul.” A07 “He meets and falls in love with an orphaned street waif and fellow vagabond The Gamine (Goddard), and the two dream of a contented, suburban existence.” FS

The movie “includes some utterly stunning sequences” TV such as “his trip through the cogs of a factory.” TV “In one of the ‘sound’ sequences, the Tramp impersonates a singing waiter.” FS “The feeding-machine sequence is priceless.” FS The “final shot is among Chaplin’s most famous and most poignant.” LM It is “a touching ending – a final farewell to the Little Tramp character.” FS


Sources:

Awards/Honors/Lists:


Dave’s Movie Database Lists:


Dave’s Movie Database Genre Lists:


Awards:


Oscars:

Wins: 0

Nominations: 0


Other Lists/Honors:


Critics’ Picks:


First posted 6/4/2023.
 

Friday, November 4, 1977

50 years ago: Sunrise: A Song of Two Humans, a silent movie masterpiece, released

Sunrise: A Song of Two Humans


Released: November 4, 1927


Studio: Twentieth Century-Fox


Genre: drama/romance/silent


Box Office (numbers in millions):

Domestic: -- Worldwide: --


Adjusted for Inflation:

Domestic: -- Worldwide: --

Directing: F.W. Murnau


Screenwriting: Carl Mayer


Starring: George O’Brien, Janet Gaynor, Margaret Livingston



Review:

This is “considered a silent movie masterpiece,” MSN “an artistic, poignant, brilliantly-filmed, expressionistic, landmark.” FS It was actually “the first movie to use synchronized sound-on-film with a musical score.” MSN It was overshadowed at the box office because it premiered just days before the release of The Jazz Singer, the first talkie. MSN

The screenplay, based on a story by Hermann Suderman, tells a “fable-like story” MSN “of redemption and forgiveness.” A07 A married farmer (O’Brien) is tempted by “a vampish seductress (Livingston).” FS He plans to drown “his pure, innocent wife (Gaynor)” FS but “realizes his love for his wife and can’t complete the act.” FS

The “attempted murder is only the start; two thirds of the movie is actually about a couple making up.” T95 On their way home in the rowboat, “a storm looms up and takes her from him – a seemingly-just punishment from Fate itself.” FS “A cavalcade of urban images and horrific storms almost destroy the farmer when he thinks his wife is lost at sea in this expressionistic masterpiece.” A07

“The tension is allowed to drop in a glorious jazz-age city sequence, and then twisted into breaking-point as a journey of murderous rage is repeated. But its dreamlike realism is also to be enjoyed: when lovers appear to walk across a crowded city street, into (superimposed) fields, and back to kiss in a traffic jam, you have an example of True Love styled to cinema perfection. Simple, and intense images of unequaled beauty.” T95

This is a “triumph of direction, camerawork, art direction, and performances, all hauntingly beautiful.” LM “The poetic cinematography by Oscar-winners Karl Struss and Charles Rosher makes Janet Gaynor’s feat in ascending above a thankless role all the more amazing, and puts a definite thrill into George O’Brien’s transformation from homicidal lout to reborn romantic.” ML


Sources:

Awards/Honors/Lists:


Dave’s Movie Database Lists:


Dave’s Movie Database Genre Lists:


Awards:


Oscars:

Wins: 3 – Unique and Artistic Picture (a second ‘Best Picture’ Award), Best Actress (Gaynor), and Best Cinematography

Nominations: 4 – including Best Interior Decoration


Other Lists/Honors:

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Critics’ Picks:


First posted 6/3/2023.