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| Dave’s Movie Database:
Best-Rated Movies by Year, |
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These are the best-rated movies of each year based on an aggregate of the sources at the Ratings and Reviews” page on this site.
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| Dave’s Movie Database:
Best-Rated Movies by Year, |
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These are the best-rated movies of each year based on an aggregate of the sources at the Ratings and Reviews” page on this site.
Resources:
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| Metacritic:Top 100 Movies |
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This is a list of the top 100 movies based on Metascore’s ratings. There’s no indication of when this list was put together or how multiple ties were broken. To qualify, movies had to have at least 7 ratings. 1. The Decalogue (Dekalog) (1988) 2. The Conformist (Il Conformista) (1970) 3. Three Colors: Red (Trois Couleurs: Rouge) (1994) 4. Boyhood (2014) 5. Lawrence of Arabia (1962) 6. The Leopard (Il Gattopardo) (1963) 7. The Godfather (1972) 8. Tokyo Story (Tôkyô Monogatari) (1953) 9. Citizen Kane (1941) 10. Rear Window (1954)
11. Casablanca (1942)
21. Intolerance: Love’s Struggle Throughout the Ages (1916)
31. Some Like It Hot (1959)
41. Ran (1985)
51. A Streetcar Named Desire (1951)
61. The Shop Around the Corner (1940)
71. Sansho the Bailiff (Sansho Dayu) (1954)
91. Rocks (2021) Resources:
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| Dave’s Movie Database:Movie of the Year, 1919-2024 |
These are the top movies for each year from 1915 to 2024 based on their overall standing in Dave’s Movie Database. You can also click on a year to see the top ten movies for that year.
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This page offers lists of the top 25 movies of the decade as determined by two different metrics. The first list is based on box office and the second is based on critics’ picks. |
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| Box Office:Top 25 of the 2010sThese are the top 25 movies of the decade as determined by worldwide box office gross. The first number indicates dollars made in millions. |
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1. 2799.44: Avengers: Endgame (2019) 2. 2071.31: Star Wars – Episode VII: The Force Awakens (2015) 3. 2052.42: Avengers: Infinity War (2018) 4. 1671.54: Jurassic World (2015) 5. 1663.08: The Lion King (2019)
6. 1520.54: The Avengers (2012)
11. 1349.93: Black Panther (2018)
16. 1266.15: Iron Man 3 (2013)
21. 1148.53: Aquaman (2018) |
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| Critics’ Picks:Top 25 of the DecadeThese are the top 25 movies of the decade as determined by a combination of the movies’ ratings points and awards points. |
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1. Parasite (Gisaengchung) (2019) 2. The Social Network (2010) 3. Boyhood (2014) 4. 12 Years a Slave (2013) 5. Moonlight (2016)
6. La La Land (2016)
11. Inception (2010)
16. The King’s Speech (2010)
21. Get Out (2017) |
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| BoyhoodReleased: July 11, 2014 Studio: IFC Films Genre: coming-of-age drama Box Office (numbers in millions):Domestic: 25.38 Worldwide: 48.17 Adjusted for Inflation:Domestic: -- Worldwide: -- |
Directing: Richard Linklater Screenwriting: Richard Linklater Starring: Ellar Coltrane, Patricia Arquette, Ethan Hawke, Lorelei Linklater Review:Boyhood was an ambitious coming-of-age film built on an idea that could easily have derailed. Director and writer Richard Linklater follows the life of Mason Evans, Jr. (Coltrane) from age six to eighteen. The story also follows his divorced parents (Arquette, Hawke) and his sister (Linklater). The challenge was that Linklater used the same actors throughout the more-than-decade long project, filming from 2002 through 2013. Because of the nature of the project, Linklater had only vague script ideas to guide the project and from year to year would incorporate changes into the script based on each actor. Along the journey, the family – and Mason in particular – is confronted with divorce, alcoholism, abuse, drug use, adolescence, and relationships. The Guardian’s Peter Bradshaw called Boyhood “one of the great films of the decade.” GN He goes to far as to say that the movie “is so ambitious and passionate that I can’t imagine anyone cranking out another conventional ‘coming-of-age’ picture. That genre now looks to be obsolete.” GN “Boyhood ins touch with a simple, urgent truth: life is terrifying short. While our childhood in progress seems like an aeon, to our parents it flashes past in a dreamlike instant.” GN “The movie invites us to see Mason from an estranged-dad’s-eye-view…But the point is that all parents are estranged, continually and suddenly waking up to how their children are growing, progressively assuming the separateness and privacy of adulthood.” GN Sources:
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